Inside Schwartz is an American sitcom starring Breckin Meyer as the titular character. The show was produced by 20th Century Fox Television and National Broadcasting Company and first aired on NBC on Thursday Night at 8:30 EST.

Inside Schwartz is an American sitcom starring Breckin Meyer as the titular character. The show was produced by 20th Century Fox Television and National Broadcasting Company and first aired on NBC on Thursday Night at 8:30 EST.

Miriam Schwartz’s world falls apart after her husband, the head of a religious council commits suicide in the wake of a financial scandal. As an act of devotion to him she is determined to be buried by his side, in the section of the cemetery reserved for only those who have taken their own lives. In the maze of religious bureaucracy, Miriam meets Anna, a beautiful Russian immigrant, who must prove that her father was a Jew in order to fulfill his wish to be buried in the holy land.

A 42-minute making-of documentary, "Inside 'Inside Llewyn Davis,'" produced and directed by David Prior. A number of cast and key crew people are interviewed, but, not surprisingly, the Coens, music supervisor T-Bone Burnett, and lead Oscar Isaac dominate the proceedings.

After being transferred from juvenile to adult prison, Mel Blight is taken under the wing of both Mark Shepard, Australia’s most despised criminal, and Warren Murfett, a soon to be paroled inmate. As a paternal triangle grows between them, we see that even the worst of men have a little bit of good inside that will be their undoing.

Christina is trapped in a room with only a Toshiba laptop and an untraceable Internet connection. Unable to determine where she is being held or what her fate might be, she uses the laptop to mobilize her social network, reaching out to friends, family and anyone else who can help her figure out where she’s being held and how to escape.

Prison inmate Miles Barrett is ripped awake in the middle of the night by a terrifying crash, gunfire, and the sickening screams of a man being torn apart. Something is loose in the prison - and it's coming for Miles...

Two doctors are observing a very "special patient" through the small window of her cell in the deep, dark corners of a mental asylum. Each morning, at exactly the same time, she performs the exact same extraordinary routine.

An uncredited Jean-Luc Godard produced this 1997 third feature by the singular American independent Rob Tregenza, and along with Hungarian filmmaker Bela Tarr, Godard is certainly a presiding guru over this powerful if enigmatic view of life in and around a psychiatric hospital somewhere in rural, snowbound America. Shot by Tregenza himself (one of the best cinematographers on the planet) in black-and-white 35-millimeter ‘Scope — mainly in extremely long, choreographed takes that transpire with a minimum of dialogue but with an extremely inventive and original Dolby sound track — the film offers not so much a plot in the usual sense as a series of interlocking characters and events governed, like the film’s title, by polarities: sound and image, interior and exterior, sanity and madness, freedom and institutional captivity, society and isolation. According to clues planted in the clothes and decor (especially the cars), the action begins around 1945 and ends in the present or near future, but to confuse matters further the characters and their behavior remain unaging constants. Tregenza’s background in existential philosophy serves him well: every shot comprises an event, and most of them were shot only once, in a single take, allowing change and contingency to shape the material. Art conceived as both adventure and confrontation, Inside/Out requires a certain amount of creative energy from the audience but grandly repays the effort.

剧情细节严格保密。据悉，这是一部超自然惊悚片，讲述了一个人被困于神话生物之中的故事。